The
Lippo Group of the Riady family plans to develop 1,000 screens within five
years across the country, under its Cinemaxx brand. They will first focus on
second and third tier cities before looking into major metropolises including
Jakarta.
The large firm, with interests in real
estate, media, retail, healthcare and hospitality, is in good place to develop
Indonesia’s exhibition infrastructure, owning shopping malls with political links
essential for the job.
During recent months, deals have been
signed with technology providers including Barco, Dolby Atmos, GDC and Masterimage
3D, this is as well as the firm also developing its own giant screen brand,
MegaMaxx. The CEO of Cinemaxx announced at the recent CinemaCon of goals to
offer state-of-the-art technology with first-class amenities.
Indonesia’s Blitzmegaplex is also
currently prepared for development, following the recent IPO of the exhibitor’s
parent company, PT Graha Layar Prima. Korean CJ CGV, now is a major shareholder
of Blitz, subsequent it’s listing on the Jakarta stock exchange. It intends to
contribute its cinema management expertise to the company’s expansion.
During the build up to the IPO,
Blitzmegaplex revealed plans to use the funds to develop 15 cinemas across
three years, totalling $35million. Presently, it has 11 sites and ideas to open
two more within the next year before increasing rapid rollout.
Indonesia houses the world’s fourth
largest population of 253million individuals. However, it offers approximately
800 screens, with a majority under Cinema 21, who have delighted from a
monopoly in exhibition and distribution since the Suharto era.
Indonesia’s yearly box office is only approximately
$250million, a result of the country being under-screened – this is the same
size as Singapore housing a population of 5.5million.
Blitzmegaplex participated Indonesian
exhibition during 2006. However, it struggled to develop swiftly and occasionally
proved a challenge to acquire access to products of the monopolised
distribution sector. Cinema 21, subsidiary of Omega, is responsible for all US
studio films, receiving both foreign and local films to distribute.
However, the market has potential to grow
swiftly if competition is able to flourish - Indonesia has a growing middle
class with disposable income as well as a fresh, social media-savvy cinema
audience. The country also quarters a flourishing local film industry,
producing approximately 100 films each year and having recently presented
overseas productions including ‘The Philosophers’ and ‘Java Heat’.
The majority of Indonesian movies are
comedies, horrors or Islamic-themed romances, restricted in export potential. However,
filmmakers including Gareth Huw Evans, with ‘The Raid’
and its sequels, plus the Mo Brothers who recently directed ‘Killers’ as an Indonesia-Japan co-production, are
owed to for placing Indonesian genre filmmaking on the map.
Following its shift into Vietnamese and
Chinese language production, CJ CGV’s sister company, CJ Entertainment, also
plans to produce Bahasa Indonesian language movies. The company is presently developing
around seven or eight Bahasa new titles, planning to release the first few within
the next year.
CJ Entertainment followed a similar
course in Vietnam, purchasing local exhibitor, Megastar Media during 2011 and preparing
to release its first Vietnamese production, ‘Let Hoi Decide’, co-produced with Chanh Phuong Films. Directed
by Charlie Nguyen (‘The Rebel’), the comedy stars local comedian, Thai Hoa.
Indonesian producers also has the
potential to receive a boost from the recently established Indonesian Film
Council, which is mounting a three year strategic plan to evolve the local film
industry. However, the new body presently has limited funding in the lead up to
the Indonesian presidential elections in July.
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